Hamlet †the Irony Essay -- Essays on Shakespeare Hamlet

Hamlet – the Irony  Ã‚        Ã‚  Ã‚   The existence of considerable irony within the Shakespearean tragedy Hamlet is a fact recognized by most literary critics. This paper will examine the play for instances of irony and their interpretation by critics.    In his essay â€Å"O’erdoing Termagant† Howard Felperin comments on Hamlet’s â€Å"ironic consciousness† of the fact that he is unable to quickly execute the command of the ghost:    Our own intuition of the creative or re-creative act that issued in the play also assumes a struggle with the literary past, but one of a more complex nature. It would seem to be Hamlet who is unable to impose successfully the model of an old play upon the intractable material of his present life, and Shakespeare who dramatizes with unfailing control the tragic conflict between his heroic effort to do so and his ironic consciousness that it cannot be done, with the inevitable by-products of hesitation and delay. (107-108)    Right at the outset of the drama, there is irony exhibited in the manner in which Shakespeare characterizes King Claudius – he is simply the perfect ruler – and yet, shortly hereafter when the ghost appears, he is revealed as a truly evil sort. George Lyman Kittredge, in his book, Five Plays of Shakespeare, describes the Bard’s excellent characterization of Claudius:    King Claudius is a superb figure – almost as great a dramatic creation as Hamlet himself. His intellectual powers are of the highest order. He is eloquent – formal when formality is appropriate (as in the speech from the throne), graciously familiar when familiarity is in place (as is his treatment of the family of Polonius), persuasive to an almost superhuman degree (as in his manipulation of the i... ...go: Greenhaven Press, 1996.    Rose, Mark. â€Å"Reforming the Role.† Modern Critical Interpretations: Hamlet. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986.    Rosenberg, Marvin. â€Å"Laertes: An Impulsive but Earnest Young Aristocrat.† Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Masks of Hamlet. Newark, NJ: Univ. of Delaware P., 1992.    Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html No line nos.    Wright, Louis B. and Virginia A. LaMar. â€Å"Hamlet: A Man Who Thinks Before He Acts.† Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Tragedy of Hamlet, Prince of Denmark. Ed. Louis B. Wright and Virginia A. LaMar. N. p.: Pocket Books, 1958.      

Food Intake Analysis Essay

Yesterday morning is when I started my food intake analysis by writing down what I ate for the whole day an then go back to my work at night to figure out which foods I ate belonged to what food group. I entered my information to the BMI calculator and heres what my results are Based on the height and weight entered, the BMI is 18.6 , placing the BMI-for-age at the 31st percentile for boys aged 14 years 10 months. This teen has a healthy weight. Eating healthy foods Participating in physical activity on most (preferably all) days of the week Limiting television viewing I don’t even have cable so I don’t watch television, I BMX and play basket ball very often and I kept the eating healthy foods part in the back of my mind that day. For breakfast I ate one bowl of cereal and one cup of strawberries (6). The cereal is in the grains group and strawberries are in the fruits group. Later in the day I drank a small Blueberry Pomegranate smoothie from McDonalds which had fourteen ounces in it and belonged to the fruits group. I also bought a salad an that was part of the vegetables group,meats and beans group, the grains group and also the dairy group. For dinner I had one half of a steak which is in the means and beans group an had seven ounces in it. I also had one egg which is in the dairy group, one medium sized piece of fried doe which belongs to the grains group and one cup of milk. I think I did good eating, I dont see where I would try to make a better decision during that day besides maybe the smoothie from McDonalds but its a smoothie because they claim to use real fruit when they make them.

Analysis Of Lorenzo Ghibertis Genesis From TheGates Of...

In Lorenzo Ghiberti’s â€Å"Genesis from the ‘Gates of Paradise’† (c.1435)(fig.1), Giacomo Balla’s â€Å"Swifts: Paths of Movement and Dynamic Sequences† (c.1913) (fig.2) and Alexander Calder’s â€Å"Untitled† (c.1972)(fig.3) there is a theme of movement or more specifically flight. Each artwork portrays flight, however each has their own interpretation, use of medium, and innovation of their time period. Flight is a very broad term that can be defined in various ways. In the piece Swifts: Paths of Movement and Dynamic Sequences, Balla alludes to flight in the title as the â€Å"paths of movement in the title probably refer to the flight paths of swifts, while the beating of their wings are referred to as dynamic sequences†(Guggenheim). The dynamic†¦show more content†¦Balla, Ghiberti, and Calder all use different materials that make their piece unique to the category of flight and add to their effect of motion. Balla’s piece is a oil painting that is unique because the lines are layered making them seen woven into each other. Balla really used oil painting to its potential by using its ability to blend into softer tones to create the various layers of woven lines which create the dynamic movement. Ghiberti uses bronze, which is the hardest of the three materials. His bronze piece is well known around the world and has been critically acclaimed by Michelangelo. Ghiberti is able to capture flight with his minute details such as the lines that signify the air moving behind the angels making it realistic and adding to the importance of flight. In the installation Untitled, Calder positions triangular pieces that are red which contrast to the wedge-like black pieces in a natural curve giving the piece realism and balancing the positive and negative space. Because Calder used an aluminum material the mobile is light enough for air currents to move the sculpture to where it almost touches opposing walls. The various materials are a part of the artist’s interpretation and are further innovations of the theme flight. They elevate the work, and add to the dimension that is trying to be recreated. Not only do the pieces of Ghiberti, Balla, and Calder showcase flight, but they are also